Dogs and a kinder, gentler (and smarter) USPS

June 11, 2011

photo courtesy ABC News

In their relationships with the United States Postal Service, dogs generally have the upper hand . . . er, paw.  Beyond the fact that postal employees frequently provide a tasty midday snack for their customers’ canines (see photo above), the USPS’s attitude toward four-legged fuzzballs has been surprisingly favorable.  Dogs have been featured frequently on stamps, some postal employees actually own and love dogs, and recently a new USPS program has helped to locate a lost Labrador in Stillwater, NY.

Here’s the story:

When Randi Slocum’s dog Kaylee ran away from her Stillwater, NY, home, Slocum and her friends did what any group of concerned pet owners would do — they formed a search party and knocked on neighbors’ doors looking for the chocolate Labrador mix.

But Randi’s mother, Carolyn, had a better idea — use Every Door Direct Mail (EDDM) to notify residents in Stillwater and nearby Schuylerville, NY, of the dog’s disappearance.

Carolyn Slocum, a board member of the local Postal Customer Council, had just attended an EDDM seminar given by Albany District Grow Your Business Coordinator Natalie Dolan. “I knew that the best way to reach every household was through the new EDDM program,” said Slocum. “Since many people work all day, this would be the most likely way to reach them.”

By the next morning, Carolyn had the mailings prepared to EDDM standards and dropped them off at the Stillwater and Schuylerville Post Offices. The flyer helped unleash a series of phone calls, and that helped lead to Kaylee’s safe return.

Source: Postal Reporter News Blog

Long the poster child for government (or quasi-government) inefficiency, the USPS has in recent months introduced a couple of programs that are surprisingly sharp.  Every Door Direct Mail (EDDM) is simply not what you would expect from an agency know for volumes of arcane rules.  The postal service calls it a simplified mailing process, and it really is. Basically, EDDM makes it easy to send saturation mailings to reasonably small geographic areas without the need to purchase address lists. EDDM comes in two flavors – regular, for mailing service providers like Gralpharaphics Macon (name disguised to protect the delicate sensibilities of the franchise) and retail, for the DIYer.  The website (https://smp.usps.gov/) is functional and includes a cool mapping feature to allow the user to select by postal carrier route.

Source: USPS

It is important to note that EDDM is the direct opposite of the targeted mailings that Poor Richard’s printshop has been promoting for some time.  EDDM is, in essence, a saturation mailing. No demographics selections are available and because the addressing is generic, it’s not possible to personalize the mailing or direct the recipient to a personalized URL (PURL).  The only select feature allows the sender to de-select business addresses and/or P.O. boxes.

Even with those limitations, EDDM will be great for service businesses and other small businesses that sell to a broad customer base and want to target specific neighborhoods to generate new business.   We are currently working on a saturation mailing in three neighborhoods for a startup lawn service business.  He’s chosen carrier routes where there are few apartment complexes and has eliminated business addresses.  The mailing will be around 1700 pieces, postage will be around $.15 each,  and most of the mailpieces will land at addresses that could conceivably benefit from his services.
On the other side of the mailing spectrum, the USPS has introduced a special discount to run in July and August 2011 to help promote “web-enabled” mailings.  This is another smart move that recognizes the value of cross-channel marketing and the integration of direct mail and internet.  First Class and Standard Mail letters that incorporate a QR or other mobile barcode will receive an additional 3% discount during July and August.  Details can be found on the  USPS website.

Both the US Postal Service and the printing industry as a whole have suffered greatly during the past almost 4 years of decession as cost cutting, business closures, and an accelerated shift to online communication have reduced volumes.  Poor Richard is hoping that the tide may turn again as marketers recognize the value of tangible print messages, especially in combination with impressions from other channels.  It is refreshing to see the USPS taking some intelligent direct action to encourage the use of both direct mail and cross channel efforts.  Want to try any of this out?  Call me or stop by the printshop behind the red awnings on Poplar Street. Bring your dog.


Inspired . . . Really!

March 8, 2011

This one was published in the venerable Macon Telegraph, so it really has to be true. (For real, see the article).  It seems that the Pork Board, ummh make that the National Pork Board, has decided that it’s time to change their careworn slogan of 25 years.  You’ve heard the old tagline, even if you don’t remember it:  “Pork:  the other white meat.” That one never really played well down here. The first white meat is naturally chicken.  In Middle Georgia, we always figured the other white meat was catfish.

So, anyway, with pork consumption totaling 50 pounds per capita in the U.S.; the National Pork Board wants to increase consumption by 10% by 2014.  And they’re going to do it with “a stronger connection, a more emotional connection to our product,” This according to Ceci Snyder, the board’s VP of Marketing.  Tying all of this together is a new and powerful new slogan.  Are you ready for this?

Pork: 

Be Inspired

 

Pig in a tutu

The pig in a tutu doesn’t come with the new catchphrase . . . it’s Poor Richard’s contribution, just for effect.  I don’t know about the rest of you, but this one really gets my adrenaline pumping.  I’m picturing a big budget, highly paid advertising executives, focus groups, quantitative analysis, A-level meetings with upper management, large expenditures, lots of money . . . all surrounding the impressive new phrase: Be inspired. Oh, and did I mention lots of money?

Poor Richard used to travel through southern Indiana, where they talk about hogs and actually raise them.  I expect that a small agency in Vincennes or Seymour could have done the same work for $500.  Nonetheless, I am impressed (and inspired). In fact, I’m so inspired that I’m going to start on this year’s 55 pounds of pork tomorrow.  Barbecue for lunch at Gralpharaphics!

Dirty Pig Face


All dressed up with no place to go?

January 10, 2011

It’s been a rare, snowy day here in Middle Georgia.  To be more precise, it’s been a rare, icy, slippery day here in Middle GA. Couldn’t get to the printshop this morning and received no disappointment whatsoever when I contacted the team and asked if they thought we should call off work for today.

“There’s a half inch sheet of ice out my front door.” reported designer Todd.

“I’m at my girlfriend’s house and we’ve already built a fire.” from RH man Brian.

“I was all dressed and ready to go at 6:00 am when you texted that you weren’t coming.” from the first lady of sales, Sharon.

That one held me up. It brought to mind the lyrics of one of my favorite British Invasion songs, “I ain’t got you:”

I got a Maserati G.T.
With snakeskin upholstery.
I got a charge account at Goldblatt’s,
But I ain’t got you.

I got a closet full of clothes,
But no matter where it goes,
It keeps a ring in the nose,
But I ain’t got you.

I got a tavern and a liquor store.
I play the numbers, yeah, four forty-four.
I got a mojo, yeah, don’t you know,
I’m all dressed up with no place to go.

I got women to the right of me.
I got women to the left of me.
I got women all around me,
But I ain’t got you.
No, I ain’t got you.

For those of you who might be somewhat beyond the age where familiarity with the British Invasion is a given, the Yardbirds were the Rolling Stones that didn’t stay around.  They had three great guitarists.  Jimmy Page went on to lead Led Zeppelin. Jeff Beck produced one of the most amazing jazz fusion guitar albums of the 1970s (Wired). And then there was Clapton, the guitarist of the aforementioned number. Poor Richard doesn’t ascribe to the 1960′s graffiti asserting that “Clapton is God,” but it’s fair to assume that you have heard of him.

Ain’t got you . . .  sounds really familiar. The printshop behind the red awnings on Poplar (name carefully concealed to protect the sensitive interests of the franchise) has spent a great deal of time and energy over the past couple of years adding the latest whizbang capabilities. We can help customers with email communications.  We can send postcards with PURLS. We can help with social networking and Google Adwords. We can even develop simple CMS sites for small businesses.  All of that along with wonderful capabilities in digital and conventional print and you’d think that we’d find an interested customer or two. But in reality, we’re kind of stuck . . . all dressed up with no place to go.

Poor Richard has batted about the “marketing services provider” concept for a couple of years. This theory maintains that in order to survive, printing companies must diversify into other realms of communication and become marketing consultants to their customers.  I’m all for the first part of the assertion.  Conventional print is certainly waning at the moment and merging conventional print capabilities with the low cost potential of the internet only makes sense.   Marketing strategy is something completely different, though, especially in the altered reality of the Great Decession.

If you had asked me just a couple of years ago, I would have said that marketing strategy was the exclusive purview of the experts.  In those days, marketing was at least partially predictable . . . traditional efforts (advertising, PR, etc.)would yield predictable results. Now I’d say it’s anyone’s guess. Proven tactics may fail totally and a low cost video on YouTube can go viral. It’s unpredictable, but there’s plenty of stuff to try.

Our Gralpharaphics shop has experienced good business relationships with a couple of excellent agencies, and in balance, these folks have done a very good job for their customers.  One of our key agency accounts closed last year after trying very hard to bring their customers in line with the new realities of marketing.  They experienced difficulties because the new realities are damnably hard to define and their customers still expected the predictability of the old paradigm.

So where does that leave us? We can implement some pretty cool stuff, if we can find the customers willing to take the risk.  These folks are pretty hard to find in icebound Middle Georgia, though, so Poor Richard is humming the old British Invasion song

Couldn’t find a good Yardbirds video, but the audio tells the story  . . .

Got to end on an optimistic note, though. Here’s Janis . . .


Rumination

October 22, 2010

Sometimes we get too busy to ask the why questions.  We just swallow all that’s in front of us, without digesting, and go on along with the whatever that we have to deal with at the time.

I like Chik-fil-A.  There’s a lot to be said for cows and they do make great chicken sandwich advocates. There might also be something in their digestive systems that’s worthy of investigation. Rumination . . . chewing the cud. Cow’s swallow it first, then chew it up later before finally digesting it.

“Gross” would be the response of my 14 year old daughter, Madeline; and she may well be right.  After the grass is consumed, why bring it back up for re-examination? Even if there’s something to be learned, the whole process seems just a little . . . ummmh, nauseating?

Nonetheless, here we go . . .

Poor Richard’s Printshop (formerly something like Gralphagraphics before the franchise became incensed at his blog) has been reasonably busy since late August. At least, it feels busy because there are only a few of us to get the work out the doors and we’re all working very hard. I’m very thankful for this and appreciative especially of the customers who have stuck with us through all of  the “recent unpleasantness.”

It’s a little hard to put my finger on it, but there’s something about the work we’re getting that’s just different.  As an example, we printed 50 football program books this week just in time for the last game of the regular season. Football programs used to be a big deal . . . large saddle stitched booklets with lots of ads printed in decent runs in time for the first game of the season. This one was thrown together as an afterthought, perhaps to keep the businesses who purchased ads from asking for their money back?

Two weeks ago, we printed a very nice invitation for a health care customer.  Expensive paper, process color, good press run, scored and folded, tabbed 3 times to meet USPS specs and mailed at the very last minute, probably a week later than optimum to reach the target audience.

We have an end of the fiscal year audit booklet in-house for a municipality whose fiscal year ended June 30. We thought the book was due by September 30. It’s been stuck in our hold bin for over 2 weeks, waiting on revisions from the customer.

And then there are the envelopes printed for a communications company in a hurry, that have been sitting on the shelf waiting for pickup since October 5; the business card design for the new company that had their grand opening scheduled for October 11; and the display board and banner stand that actually did get designed, proofed, completed and shipped in 5 working days, thanks to UPS Second Day Air and our very good tradeshow exhibit supplier.

Actually, it’s not hard to identify what’s happening at all. It’s busy, but it’s not normal and Poor Richard’s stomach is a little upset.  We are reacting to our customers’ lack of planning and in some cases we’re getting burned and in some cases they’re getting burned, which is worse. (It’s worse mainly because we might take the blame.)

Our customers are firing before they aim. This is probably better for us than when they don’t fire at all, but I think there might be a better way.  It’s something to ruminate about . . .


Half a bob off plumb

August 19, 2010

It’s been one of those weird weeks when the moon should have been full. But it wasn’t. Perhaps the 100 plus degree heat an 99.999997% humidity have steamed the brains of Middle Georgians.  Poor Richard doesn’t know exactly what it is, but things are slightly askew here . . . to paraphrase my buddy Bob Galloway, the curmudgeon, the entire town is about “half a bob off plumb.”


Item One

I didn’t get to meet her, but right hand man Brian said that she looked relatively normal when she walked through the doors of the printshop behind the red awnings on Poplar (name carefully concealed to avoid disrupting the peaceful sleep of the powers that be at the franchise . . . hint, sounds like Gralpharaphics).  She explained to Brian that she was opening a new business and needed letterhead, envelopes, business card, etc. This used to be a fairly common occurrence at printing companies, and Brian looked forward to serving a new customer.

It’s not uncommon that a new customer will ask the price of a product before they provide a description of it.  While it is possible to quote a price that will cover most contingencies, I’ve yet to find a customer who will accept an estimate of “probably somewhat less than $10,000,” without question.  Standard operating procedure is to try to narrow the description a bit and find a solution that is reasonably in line with the customer’s expectations and budget.

Brian attempted and ascertained that the customer would like to use paper for her letterhead and envelopes and would also like her symbol on it.  She specifically said “symbol,” not logo or wordmark or even image. She wanted her symbol on the letterhead . . . in color . . . and (as she glanced and pointed at a presentation folder on our display rack) “smashed into the paper like that.”

Skeptical that the cost of embossing a process color logo on a short run of letterhead would be practical for a new business, Brian started to suggest alternatives. The customer was adamant. What she wanted was her symbol smashed into the letterhead, business cards and envelopes. Ever helpful, Brian offered to run down prices and asked if the customer had her logo as a digital file that we could use . . . or at least something that we could look at to help us prepare the estimate.  The customer fumbled a bit, then reached in her purse, removed her billfold and then her drivers license.

“That’s it,” she exclaimed, pointing at the photo on the license. “That’s my symbol. That’s what I want!”

Brian, ever mindful of the endless time and patience available to the printshop owner, deferred to Poor Richard and told the customer that I would follow up with her.  I haven’t contacted her yet, but I do have an idea. Perhaps something like this might work?


Item Two

Three paragraphs, bullet points, and numbers. Poor Richard is probably going to get in big trouble with this one, because the customer is going to read this blog, identify himself, and get supremely ticked off!

Here’s the text of the email we received:

Whereas, from time to time revisions are made to documents created for Amalgamated Peanut Butter and Jelly Roll Company (APB&J Rollco), and said documents are printed and archived by Gralpharaphics of Macon, the aforesaid company (APB&J Rollco) wishes to indicate the occurrence of revisions to each document produced and to verify the currency of each revision prior to production of duplications, reprints, or new and unique iterations of each printed version or versions.

Because the temporality of the aforementioned documents is currently not indicated, this may currently counterindicate the currency of our current versions. In fact, our customers have occasionally called the currency of our current versions into question due to the lack of an evidential indicant that the version they received was indeed correct and produced contemporaneously with the latest APB&J Rollco product described within.

Our goals are thus:

  • to accurately indicate the current version
  • to convey this clearly to our customers
  • to assure that the latest iteration of each document is indeed the current version
  • (to confuse the pants off of the folks at Gralpharaphics)

To that end we require that your company immediately implement the following changes as pertain to the documents and versions of documents you currently produce, have produced in the past, or might conceivably produce in the future for APB&J Rollco:

  1. Indicate the current version on the document
  2. Do this in such a way that the temporality of the version is conveyed to each customer
  3. Destroy, delete, or otherwise dispense with document versions that are untemporal or not current

Many thanks for the services you render for APB&J Rollco and for your prompt attention to this matter.

–Name withheld in the vain hope that Poor Richard will go undiscovered.

Admittedly, Poor Richard has elaborated a bit . . . but not a lot.  The actual email we received from our good, but very precise, customer was almost as complicated as the gobbledygook inserted above and did require a phone call to ascertain exactly what the customer wanted . . . a date entry at the bottom of each form we produce to indicate the latest revision.


Item Three

The customer was absolutely serious. So serious in fact that he noted a specific instruction on the proof copy that he faxed back to us and on his email approval of the final proof.  We’ve produced shells similar to the one the customer wanted many times. A shell is  boilerplate language (and sometimes a form image) that can be fed through a laser printer to overprint the specifics of a contract, invoice, etc.

In this case, we were asked to print 5000 copies on one side. Presumably the specifics would be printed on the other. There was no specific paper requirement . . . we printed on 60# offset text (no watermarks).

The instruction:  Please make sure that this information is printed on the back of the paper.

I think we did OK. We stacked all 5000 copies printed side down in the boxes and delivered them to the customer.  He thought we were wonderful!

Times are still rough in the printing business, but it laughter is a great diversion. Isn’t life grand?


Treading Carefully

March 21, 2010

Danger Minefield signPoor Richard has  never strolled through a minefield, but he can imagine what it must be like.  It seems a good analogy for the experience of hanging on to a printing business these last 18 months. There have been days and weeks when explosions were occurring all around and it seemed the end was near. On other days, the sun was shining and everything appeared almost normal until the detonation 20 feet away and flying shrapnel brought reality into sharp focus. The last couple of weeks have been like that.

Macon, Georgia is no business Mecca. It is a sleepy southern town that has had better days and hopefully will have better days again. Macon has been a good place for a business like the printshop behind the red awnings on Poplar Street (name withheld to avoid the wrath of the franchise).  Over the last decade plus, we’ve enjoyed good customers, wonderful friends, and mostly amicable competition with the other printers in town.

For our company and for our competitors, business as usual ended abruptly in November of 2008. The stock market crashed, our customers contracted and folded, and sales plummeted.  Monthly newsletters went digital; nevermore to return. Businesses decided that they could do without printing. Our friendly bankers, once eager to finance new equipment purchases, now wouldn’t return phone calls. Yet we hung on and tried to do what we could, hoping and praying for better days.

An interview in the PrintCEO blog tells the sad story of the demise of Alonzo Printing, a midsized California operation that seemed to be doing everything right. The owner, Jim Duffy, describes the heady days of 2007 with new equipment investments, diversification into digital printing, and the difficulties of turning a marketing vision into reality.  Jim didn’t have to step on a mine.  His bank detonated it for him.

In our sleepy southern town, we were all holding on until just a couple of weeks ago. Sure, a couple of small printers have closed, but they were operating with 30 year old systems.  Two weeks ago, one of our better competitors announced that they were suspending their production operations and would continue as a print broker. Last week, a promising short run book printer literally disappear overnight.  The mines are exploding all around us.

Our little company is treading very carefully. Like Alonzo printing, we made new equipment purchases when times were better. Some of these have not played out well. Equipment vendors, banks and even the franchise, once seen as allies, now look more like the enemy. The path through the minefield is complicated and dangerous and there is no lack of diversions that could cause a misstep.

Poor Richard is convinced that one of these is the whole “marketing services” concept. In the PrintCEO interview, Jim Duffy makes the following comment:

We marketed Alonzo, and from a pure marketing perspective, it was just a dream. And yet, it was another issue of not having the right people to make it really come to life. Then we reached the point where we couldn’t hire the right people. That’s how you get caught in the spiral.

You do need to market yourself; you need to do it in a way that’s going to be meaningful for your clients.

The last sentence is telling. Printers are not viewed by our customers as “marketers.” That is the realm of advertising agencies. With due respect and apologies to our agency customers, printers are not “pie in the sky” folks. We don’t do well with concept. Coming up with concepts that work requires a lot of time and creativity that a short-staffed printing company doesn’t have.

Printing companies do a very good job with details, with implementation.  If “marketing service provider” means that we have to dream up the marketing concepts for our customers, we’re in trouble. If it means that we implement and measure marketing “campaigns” using the new tools that are available to us, then perhaps we can provide our customers with something that is of value, that is meaningful.

Poor Richard is not certain what it will take for some of us to make it out of the minefield, nor is he certain that the printshop on Poplar Street won’t be blown to smithereens during the debacle. I hold to the hope that there will be a need for companies like mine that “do stuff,” that are competent at producing and implementing.

There is a certain sense of desperation that naturally occurs when one strolls the path through a minefield. Traveling the path requires care, tenacity, and not a small bit of prayer. There is also the possibility that the trail will eventually lead to un-mined pastures that allow more flexibility to move around and maybe some better possibilities for small businesses like mine. Poor Richard is really looking forward to the other side of the minefield.


The Recurring Full Moon Phenomena

March 3, 2010

The stuff that dogs howl about

It’s been a while. I’ve been out of sorts with nothing good to say, so I’ve ignored the blog altogether. After a couple of good months at the end of 2009, Poor Richard fell back into panic mode as business disintegrated at the printshop behind the red awnings on Poplar Street. January 2010 was bleak. I had just begun a serious study of biblical eschatology when the last day of February rolled around and all of our customers woke up at the same time.

I’m thinking it’s the moon. I’ve written about this before (see Poor Richard’s post The Full Moon). Last time, I discussed the deleterious effects of  minute changes in the force of gravity on machines and those who operate them. This time, I’d like to consider the tidal effect on the minds of the folks who visit our Gralpharaphics “business center.” (The franchise, who shall nevermore be named in this blog, became disenchanted with printshops a year or two ago and decided that we would henceforth become “business centers.”)

The moon was full on February 28th and the orders came rolling in. All of the work that our customers had decided they didn’t need in January and the first 27 days of February, they now needed immediately on March 1st.  It’s not that the tight deadlines are all that unusual, but there were small oddities about several of the orders. Just for entertainment, Poor Richard is pleased to provide you with a few snippets from the past couple of days:

“I gave you my business card as a .jpg. What do you mean you can’t blow it up into a 24 x 36 poster?”

“My last printer closed down. I had been doing this business with him for a while and he wasn’t charging me much. I was hoping that you’d be less expensive.”

“No, the order for 10,000 rack cards went to another shop; but we need you to donate 1,000 posters. Is that a problem?”

“All of their salespeople quit. They decided not to do the mailout because there wouldn’t be anyone to respond to the leads.”

It’s not quite the Twilight Zone, but things are a little bizarre. I answered the phone at lunchtime on Friday. “Do you do raffle tickets?” queried the voice on the line.

“Yes, ma’am, we’ve been known to,” I responded.

“Well, how much do they cost?” said the voice. Even with the sure knowledge that I could not be seen through the telephone, Poor Richard made a conscious effort not to roll my eyes and began to launch into his memorized series of questions regarding quantity, size, paper, numbering, perforations, etc.; only to be interrupted in mid sentence:

“My baby’s in a pageant, and I just need some raffle tickets.”

What kind of person raffles off their baby in a pageant?

We delivered 5000 sets of a stapled document to a customer on Friday – 4 sheets, 2 sides, stapled. This morning they called and said that they had counted the order and were 25 sets short. Poor Richard found it peculiar that anyone would actually take the time to count 5000 sets of copies and also a little dubious that they were short. The job is simple and familiar. We send the file to the big black and white machine manufactured by the nearly palindromatic company that begins and ends with X. The quantity is specified in the print job. The machine prints and staples, the documents are boxed and delivered. The machine log indicates that 5005 copies were produced. Poor Richard is certain that the missing 30 copies were transported into a parallel universe.

About the poster sized business card . . .  we printed it. When we explained that it would not print clearly at 24 x 36, we were instructed to repeat it as many times as possible on a 24 x 36 board. We printed it 90 times with a pretty blue background on a nice piece of foamcore for the customer to put on an easel.

It may be the full moon, or  perhaps terrorists have injected hallucinogenic drugs into the water supply in Macon. Poor Richard isn’t sure, but he’s happy to be busy even if the orders are a little odd.

Isn’t life grand?


Opening Pandora’s box

January 3, 2010

It’s been a while since Poor Richard has written about proofing (see Just Do It . . . I Trust You!). At the printshop behind the red awnings on Poplar Street, we generally follow Poor Richard’s Rule #1: Proof Everything. When we fail to follow Rule #1, it is usually because the owner decides to make an exception, allows one of our customers to convince him that they do not need a proof, and gets totally burned in the process because something goes awry or does not meet the customer’s expectations.

If the CIA was really intelligent, they would store all of their Top Secret, classified, very sensitive documents in the basements of printshops across this great nation. Because we see so much text come past our eyes, printers don’t really read much of it.  At Gralpharaphics (name changed to protect the delicate sensitivity of the franchise), we used to do internal proofs of hard copy prints for much of what went through the shop. We were looking for low resolution graphics and the general composition of each piece ; whether it would fold correctly and if there were font errors.  Today, for much of what we print, preflight software will indicate many of the technical errors and our internal proofing process is focused more on how the piece will finish (through bindery) than the general composition. In short, we don’t read for context and we don’t always catch spelling errors.

The phone call of the month for December was from a customer that had discovered a typo in a brochure we had printed for them . . . in September. In fact, it was an exact repeat of the same job printed for them about a year before.  And that job was a redesign of a file that came to us in .pdf format sometimes shortly after Adobe Acrobat was invented, opening the possibility that the misspelling could potentially be over a decade old.  Naturally, the customer wanted the job reprinted . . . for free.

We checked the proofs. Sure enough, there was the typo buried plain as day right in the middle of a long paragraph in the center panel of the inside of the brochure. It stood out dramatically in 11 point Times New Roman; so evident that the customer missed it totally when they signed off on the proof.

Who has the responsibility? Proofs do place the onus of responsibility for the final appearance and accuracy of each printed piece on the customer. This is customary in the printing trade and spelled out clearly in the proof policy that our shop sends with every proof.  While some customers may see this as a catch, printers consider it a necessity. Even if we could completely check everything we print for absolute accuracy, this would not compensate for the vagaries of syntax, composition or customer taste. There have been many occasions where Poor Richard or one of my associates has corrected grammar or spelling only to have it uncorrected by the customer. Likewise, the design or composition of many of the projects we print may be more pleasing to our customer than to our unrefined tastes.  This really is the critical point for most printers: the project must meet the approval of the customer. The signed proof signifies that it does.

Back to the problem of the month. Another of Poor Richard’s rules that falls pretty near the top of the list (like #2 maybe) is this: Customers are important. These days, they’re also pretty darn hard to come by.  We understood the customer’s problem and offered to help them with the reprint.  Mind you, this is not customary practice among printers. Margins are very tight in our business and printing at cost is spinning the wheels at best and at worst a missed opportunity for profitable use of time and equipment. Nonetheless, customers are important. We offered to make the correction and reprint at a discount.

After the correction was made, the competent Gralpharaphics team followed Poor Richard’s Rule #1 and sent the customer a final proof for approval. At least, we thought that it was final. The proof was returned with a request for another change.  Technically, this request crossed the fine line between correction and revision, but the change requested was minor and we chose not to sweat it. That’s when we opened Pandora’s box. We made the revision and sent another proof.

The proof response came back with a Microsoft Word file attached. We were now well beyond correction and decidedly in the realm of revision.   Poor Richard tried not to reach the conclusion that the customer’s stated need — to correct a typo — might not have been their actual objective. Without questioning the customer’s motives, we explained that the discount had been offered to help with a correction. The scope of the revisions requested had essentially changed the project from a reprint to something like creating a new brochure.  We would have to charge for the additional layout and prepress time incurred for the changes.

There are times when Poor Richard is able to predict the future before it even happens. I could see this spinning out of control even without a crystal ball. The conversation was polite, the customer didn’t really understand, and the project was placed on (permanent) hold.  Chances are that we lost a customer. Bummer. Not good.

Because we’re a small business in a small market, we’ve never had the luxury of dealing only with professional “print buyers;” folks whose expectations are to some extent shaped by their understanding of and interest in the art of printing. We have had the privilege of working with some very nice folks, many of whom wanted to learn a little about print as we produced their projects. I think that there was a general appreciation among our customers of the value of the tangible product we created and of the work that went into it; but now this appreciation may be fading.

The last 18 months of struggle have brought a sea change to the printing industry and to local printers like the shop on Poplar Street.  While we continue to compete with one another for business, we also compete against a host of other choices for communication. Increasingly, our customers’ expectations are molded by the other choices. It’s no problem to correct a typo on a web page. It doesn’t require a reprint. The fact is that we have fewer customers who are interested in print and they are much less willing to deal with the complexities involved.  Price and speed have become more important and many customers are actually less concerned with quality than ever before. To paraphrase Robert Heinlein, “they don’t want it good, they want it Wednesday.”

This presents a real challenge to folks like Poor Richard. The old rules of printing (like proof policies) seem necessary to me. It is important to do things right and because almost all of the projects we produce are essentially custom made, there has to be some understanding between printers and our customers.  We can’t sell labels produced for Jim Bob’s BBQ Sauce to his competitor Billy Bob.  If Jim Bob doesn’t want the labels, they’re trash.

How do we adapt? As our customers become increasingly less patient with the print process, it is tempting to just bend the rules and take our chances.  Waive the proofs, forget the rules, just print it and hope it’s right. Throw Pandora’s box wide open.

If we do that, how long will it take for the snakes inside to bite us?


Re-inventeration

September 6, 2009

Square-wheeled trike. Thanks to Jeff Atwood at www.codinghorror.com.

Square-wheeled trike. Thanks to Jeff Atwood at http://www.codinghorror.com.

If one happens to be a small business owner, especially if one happens to be the owner of a local printing company, the idea of re-inventing one’s business is probably pretty far up on the agenda these days. This is primarily because much of the business we all once enjoyed has suddenly just disappeared, as if by magic; or possibly due to the re-inventing of a much less cooperative economy.

Re-inventeration, a new word which Poor Richard thinks he has just coined, is the process of re-inventing something.  Of course, the whole concept is preposterous.  If something is invented the first time, does it really make any sense to try to re-invent it?

And it’s complicated. Re-inventeration is frought with Catch-22 scenarios. For those who have not read Joseph Heller’s famous book, the Catch-22 was the ultimate bureaucratic boondoggle.  Catch-22 (the book) told the story of Yossarian, a WWII B-25 bombardier and his squadron, as they were forced to fly increasing numbers of bombing runs over Italy.  The squadron commander, Major Major, literally embodied the concept of Catch-22. It was possible to schedule an appointment with Major Major at any time; however, one could only actually see Major Major if he was not in.

Similarly, if one was deemed insane, it was possible to get discharged from the Air Corps. Because Yossarian’s desire for discharge was deemed very sane, his insane behavior was considered by his superiors as a natural expression of his  true sanity. Catch 22.

Not unlike Yossarian, Poor Richard is struggling with the Catch-22s of the re-inventeration process at his downtown Macon Gralpharaphics shop (name carefully disguised to protect the sensibilities of the franchise). The first Catch-22 is simply time.  Business is down, we’ve cut back on staff, and more time is spent working in the business than on the business.  Without more time to work on the business, we’ll never be able to grow the business back to a point where more folks can be hired to work in the business; relieving the requirement for the owner to fold brochures until 2 am and allowing him to use his brain once again.

The next and more worrisome set of  Catch(es)-22 have to do with scope, the literal definition of the business. Behind the red awnings on Poplar Street, we’re taking jobs that we probably wouldn’t have looked at a couple of years ago.  A lot of these are small and risky.  The risk is that the expense in time and effort to produce the small jobs will exceed the revenue that results. Catch 22. The potential benefit is a new customer who might actually bring us a profitable job one day. Poor Richard is not sure how this one is playing out.

The low hanging fruit has been picked. We’ve responded to economic pressure on mainstay product lines by adding more products. In our case, we’ve added wide format printing and reprographics to subsidize some of the losses in conventional offset printing.   These were natural additions – similar products and services to what we were already doing. They didn’t disrupt the production process much and they added little in the way of expense. Unfortunately, they did not add enough revenue to compensate for the decline in conventional printing; and these product lines are also facing economic and competitive pressures. Catch 22.

So what’s the next step? Poor Richard has written before (with misgivings) about the current buzz-phrase in the printing industry. The latest rage is for printing companies to become marketing service providers. (See Poor Richard’s post Measuring Value). Our little company  is moving in this direction slowly but steadily, unsure of all of the implications, but with a sense that it is inevitable – there just aren’t many other areas of opportunity left.

Becoming a marketing service provider is full of Catch(es)-22. First, the whole notion takes us out of the realm of producing tangible products and into the area of shaping content. We’re no longer working with machinery that prints, cuts or folds stuff; but rather with electronic means of communication and the disciplines that go along with them – CSS, XHTML, Purls and a bunch of other acronyms. The competitive cost of entry into this business is low relative to the cost of a new printing press, which means that the pressure to keep ahead of the technology curve will be steep. Worse, the marketing service provider notion requires a new skill set that takes time to learn.  In our case, that’s the owner’s time that is in very short supply. Catch 22.

Second, the whole idea of shaping content laps over into creating content.  Printing companies are pretty good at shaping. We do layout work, color correct photos, even occasionally light editing for our customers. This is different from creating the content, an area we have generally avoided because of time limitations and a focus on keeping the machines running.

It’s just a little too hopeful to think that we might make money only by implementing marketing services — integrated direct mail and e-mail campaigns, for example. Most of our customers simply lack the time and resources to develop the content for this kind of effort, so it appears inevitable that we will be required to do some development work for them if we want to sell the services.

Hopefully we can do this without stepping on the toes of our agency customers and triggering yet another Catch 22. Ideally, the agencies might find it helpful to use our shop to implement integrated direct mail and internet campaigns for their larger customers. Our challenge will be keeping the focus on implementation (and measurement) of specific marketing services without getting customers confused about what we can do (and want to do).

Creating content, even on a limited basis, is a big step for a small printing company; but it is still a lot different from the conceptual work that our agency customers do. We can make that statement, but will our customers understand it?  Another Catch-22.

Poor Richard supposes that re-inventeration, like change, is necessary and unavoidable; but he hopes he’s not re-inventing a square-wheeled tricycle.


Direct Mail and the Internet

August 10, 2009

So it’s no great mystery why mail volume, including direct mail (advertising) volume is down and the USPS is in a bind. In the last post Neither Rain, Nor Snow, Nor Dead Economy, we went over some of the dismal numbers that the USPS has “posted” in recent months. The financial strain of the recession has accelerated the move of content online, where the costs are less. Printers and the USPS are suffering.

So, is there still a place for printed direct mail in the mix? Let’s turn to the USPS again.  In a surprisingly insightful brief entitled Mail and the Internet, the postal service presents a convincing case for a combination of print mail and online advertising. Here’s the thrust of the argument:

In fact, recent studies by the U.S. Postal Service and a number of independent research groups found that consumers — even heavy Internet users — continue to view mail as a highly relevant and significant part of their lives. It provides a physical and tangible quality consumers find lacking in their electronic communications. But that’s not all. The studies also showed that mail, working side by side with digital media, can have a substantial impact on the use of commercial Web sites.

Much of the specific content of the brief deals with the integration of email, online storefronts and conventional catalogues, but the USPS makes a couple of key points regarding the combination of conventional mail and email in the marketing mix:

  1. While email has outpaced mail as the primary form of (written) personal communications, readers are much more likely to “trash” marketing emails than conventional mail pieces. People still enjoy opening the mail.  Junk email is a nuisance.
  2. Conventional mail is a very effective way to get permission to send an email.  In other words, direct mail is a great way to get potential customers to subscribe to emailed news briefs or promotions.

From here, it’s tempting take on the ROI argument and search out some spurious data to try and prove that the return on investment for conventional direct mail is actually higher than the ROI for an email campaign.  Poor Richard thinks that’s a worthless effort, but can state uncategorically that the ROI for a  well-conceived direct mail or email campaign will always be higher than the return for a poorly implemented campaign of either type.

Nor is it useful to argue that direct mail and email are apples and oranges. They’re more like white grapes and peach . . . the juice goes together really well. And there is great potential to combine conventional mail, email and other online communications to improve the total ROI for the combined efforts. Conventional direct mail combined with personalized URLs (PURLs) provide a great method of sorting through an inexpensive direct mail list for those who are really interested in a product or service.  Respondents sign on to a landing page, where they can ask for direct contact or for more information. They might also be asked if they’d like to subscribe to an e-newsletter or for periodic special offers.

The net result is that more money and attention are focused on those who are most interested (and most likely to buy something) and less on those who aren’t interested. Even more better, you get to measure. While it is possible to partially measure response from conventional mail campaigns with BRMs, coupons or a tracked phone number, the integrated print and email campaign generates better measurable data from the landing page . . . including names and addresses of those who respond. And if they subscribe to an e-news brief or some other such offering, they’re actually asking you to stay in touch.

Back to the USPS and the printing business. Regardless of the trends, there will remain a very real need for the postal service in the foreseeable future. While it’s easy to communicate online, you need a Star Trek transporter to actually send stuff through cyberspace. Similarly, the tangibility and portability (and disposability) of print gives it an advantage over electronic media in many situations. I haven’t seen them passing out Kindle’s at the theatre, yet.

Poor Richard can’t speak for the future of the postal service, but the the technology to produce and manage integrated electronic and print communications is very available. We’re even playing with it at Gralpharaphics (name changed to protect the innocence of the franchise). Not to say that the change isn’t painful.  It was certainly easier for printers when print was king. But change is inevitable . . . and Poor Richard isn’t really ready to become a dinosaur yet.


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